Bob Ludwig The Mastering Master Bids Farewell Part 2 Mastering And

Bob Ludwig The Mastering Master Bids Farewell Part 2 Page 2 Bob ludwig—the mastering master bids farewell (part 2) mastering and monitoring over the decades at gateway, bob ludwig's room has long been known for its giant monitor speakers. at first, it featured duntech sovereign 2001 loudspeakers on concrete pedestals connected to bedrock below the building and isolated from the room's floating floor. The data is verified bit perfect through the glass mastering and manufacturing stages. what ends up in the jewel case should sound like the master file. cd mastering "really improved" when production and mastering in 24 bits became routine, ludwig says.

Bob Ludwig The Mastering Master Bids Farewell Part 2 Page 2 Photo: peter luehr if album sales, longevity of career, position on the leading edge of audio technology, reputation in the music business, and involvement in many of the most important albums in history are the measurements, bob ludwig is the goat (footnote 1) of music mastering. "i'm an old. End of an era indeed!. i was lucky enough to watch bob work in 1986. it was a jazz album and i had never sat in on a mastering session. we showed up for the afternoon appointment and were greeted by a dizzying display of gold and platinum records hanging on the hallway leading to bob's suite. Photo: peter luehr if album sales, longevity of career, position on the leading edge of audio technology, reputation in the music business, and involvement in many of the most important albums in history are the measurements, bob ludwig is the goat (footnote 1) of music mastering. "i'm an old. Click here for part 2. if album sales, longevity of career, position on the leading edge of audio technology, reputation in the music business, and involvement in many of the most important here are some of bob ludwig’s favorite albums he mastered through the years, with his comments:.

Bob Ludwig The Mastering Master Bids Farewell Part 2 Page 2 Photo: peter luehr if album sales, longevity of career, position on the leading edge of audio technology, reputation in the music business, and involvement in many of the most important albums in history are the measurements, bob ludwig is the goat (footnote 1) of music mastering. "i'm an old. Click here for part 2. if album sales, longevity of career, position on the leading edge of audio technology, reputation in the music business, and involvement in many of the most important here are some of bob ludwig’s favorite albums he mastered through the years, with his comments:. Part two of stereophile's profile of mr ludwig has posted. good detail on his career, equipment choices, and experience mastering for the digital age in this article. stereophile content bob ludwig151the mastering master bids farewell part 2. Ludwig led masterdisk into the digital era, first cutting lacquers from digital sources (soundstream, 3m digital, sony) then as an early us compact disc mastering facility (see decades of digital devices). Bob ludwig started cutting lacquers at a&r recording with producer phil ramone [tape op #50] in new york. later on, he worked for sterling sound and masterdisk, eventually founding gateway mastering in 1992, in portland, maine.

Bob Ludwig The Mastering Master Bids Farewell Part 2 Mastering And Part two of stereophile's profile of mr ludwig has posted. good detail on his career, equipment choices, and experience mastering for the digital age in this article. stereophile content bob ludwig151the mastering master bids farewell part 2. Ludwig led masterdisk into the digital era, first cutting lacquers from digital sources (soundstream, 3m digital, sony) then as an early us compact disc mastering facility (see decades of digital devices). Bob ludwig started cutting lacquers at a&r recording with producer phil ramone [tape op #50] in new york. later on, he worked for sterling sound and masterdisk, eventually founding gateway mastering in 1992, in portland, maine.