Using Materials Science To Analyze Mayan Murals Tech Briefs Penn state university professor amara solari has been recently scouring the yucatán to identify, document, interpret, and analyze murals painted inside churches by maya christian artists more than 400 years ago. Amara solari and colleagues have scoured the yucatán peninsula to document and preserve religious murals painted by maya christian artists more than 400 years ago, pairing art history with cutting edge materials science to gain important new insights about these fragile artworks.
Using Materials Science To Analyze Mayan Murals Tech Briefs We studied mural painting samples from bonampak (790 792 ad), chiapas, mexico, by several analytical methods: gas chromatography mass spectroscopy (gc ms), optical microscopy and x ray diffractometry. In this study, technical aspects of the mural paintings from rooms 12 and 50 of the main building of the site are addressed by the spectroscopic analysis of its materials. Experimental research has been carried out to solve some of the main problems detected in stucco and mural paintings preservation, to understand the artistic program of the site and to differentiate its handcraft tradition from some other maya sites. From the comparative study of the elemental concentration, some conclusions are drawn on the nature of the pigments and the technology used. this paper presents the first evidence of the use of maya blue pigment in late pre classic (c.300bc–300ad) architecture in the maya lowlands.
Ancient Mayan Murals Mayan Art Mayan Digital Paper Pack 300dpi Experimental research has been carried out to solve some of the main problems detected in stucco and mural paintings preservation, to understand the artistic program of the site and to differentiate its handcraft tradition from some other maya sites. From the comparative study of the elemental concentration, some conclusions are drawn on the nature of the pigments and the technology used. this paper presents the first evidence of the use of maya blue pigment in late pre classic (c.300bc–300ad) architecture in the maya lowlands. Through the detailed analysis of the painting techniques, procedures and materials we try our essay focuses on the complex topic of mesoamerican intercultural exchange, to understand the teotihuacan artists’ world, their training, and their probable relationship with maya artists. Mortars from 16 different archaeological sites were analyzed by several analytical methods: optical microscopy followed by specific staining tests over cross sections, gas chromatography mass spectroscopy and scanning electron microscopy. In this work, we present trace element measurements on archaeological mural samples containing the maya blue pigment. the mural samples come from six different archaeological sites (four pre hispanic and two from xvi century colonial convents). We studied mural painting samples from bonampak (790 792 ad), chiapas, mexico, by several analytical methods: gas chromatography mass spectroscopy (gc ms), optical microscopy and x ray diffractometry.